Sunday, January 30, 2022

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T-Mobile will fire unvaccinated corporate employees starting April 2nd

Posted: 29 Jan 2022 02:44 PM PST

T-Mobile will fire corporate employees who aren't fully vaccinated against COVID-19 by April 2nd, reports Bloomberg. The carrier confirmed the deadline after the outlet obtained an internal email in which Deeanne King, T-Mobile's chief human resources officer, said the company will put employees who have gone out and only gotten one dose as of February 21st on unpaid leave.

"T-Mobile's badge-controlled offices continue to be accessible only to those who are vaccinated against COVID-19 and we have shared with employees that we are requiring office workers to be fully vaccinated by April 2nd," a spokesperson for T-Mobile told Engadget. "We understand that this is a deeply personal decision for some employees but we believe that taking this step will put us in the best position to protect our T-Mobile community."

The carrier told The Verge it will have some exemptions in place "for certain roles, locations and legally mandated accommodations and exemptions." For instance, per Bloomberg, T-Mobile won't put customer service employees on unpaid leave if they only have one dose of the vaccine by February 21st. It also won't subject field technicians and store employees to the mandate.

Other large US companies have imposed similar deadlines on their employees. Workers at Google, for instance, have until January 18th to declare their vaccine status. The company will place those who refuse to get their shots or fail to secure a valid exemption on paid administrative leave for 30 days. It will then place those workers on unpaid leave for up to six months and eventually fire them if they don't comply with the policy.

Chrome for Android will ask if you really want to close every tab at once

Posted: 29 Jan 2022 02:10 PM PST

If you're the sort to leave web browser tabs open on your phone (you know who you are), you've probably had a sinking feeling when you close every tab and realize you just lost a must-have site link. You won't have quite so many panic-inducing moments going forward, at least. Techdows and Android Police have noticed the Canary channel version of Chrome 100 for Android adds a settings flag ("close all tabs modal dialog") that asks for confirmation when you try to close every tab at once.

Chrome on the desktop will let you close all tabs in a window by getting rid of that window, but it's overall harder to accidentally wipe out your tab collection. On Android, "close all tabs" is close enough to other tab options that you might tap it by mistake.

Canary builds are unstable, so you may want to wait until a beta or the polished release. It's also unclear how soon Google might build the flag into regular settings or enable it by default, provided the feature survives through future releases. It's easy to see the confirmation making the cut, however — this is one of those seemingly small features that could save you an embarrassing search through your browsing history.

Treasury reconsiders IRS use of ID.me facial recognition amid privacy concerns

Posted: 29 Jan 2022 01:46 PM PST

The Treasury Department is reconsidering the Internal Revenue Service's use of ID.me for access to its website, according to Bloomberg. A department official said the agencies are exploring alternatives to the controversial facial recognition software, though that official didn't specifically cite the privacy concerns around ID.me for the decision.

"The IRS is consistently looking for ways to make the filing process more secure," Treasury Department spokesperson Alexandra LaManna told Bloomberg. "We believe in the importance of protecting the privacy of taxpayers, while also ensuring criminals are not able to gain access to taxpayer accounts."

Citing a "lack of funding for IRS modernization," LaManna also said it's been "impossible" for the agency to develop its own in-house identification solution, and noted US taxpayers aren't required to file their taxes online. Toward the end of last year, the IRS began requiring individuals to use ID.me to access certain parts of its website, including those sections related to services like the American Rescue Plan. Starting this summer, the agency will also require that people enroll with ID.me before they can file their taxes online. That's a process that will require taxpayers to provide their government ID, a copy of a utility bill and a video selfie to the Virginia-based company.

The Treasury Department's decision to reevaluate its use of ID.me comes in the same week that the company disclosed its use of one-to-many facial matching. Blake Hall, the CEO of ID.me, said the company employs the technology to verify selfies tied to government programs that are frequently targeted by organized crime elements. Hall made the statement after previously claiming the company did not use the "more complex and problematic" one-to-many approach.

Privacy advocates have criticized both approaches. Research indicates most facial recognition systems struggle to identify people with darker skin tones. Experts have also voiced concerns about the security risks of storing biometric data.

3D map of an exoplanet's atmosphere may help find Earth-like worlds

Posted: 29 Jan 2022 12:33 PM PST

Many exoplanets are completely uninhabitable, but they can still be useful in the search for more hospitable worlds. Scientists at Lund University have created a 3D map of ultra-hot gas giant WASP-189b's atmosphere that could provide insights into other distant planets' skies. The team used a high-resolution spectrograph to study the host star's light as it passed through the planet's atmosphere, looking for line positions in elements that not only indicated what materials were present, but that they swirled around in three-dimensional layers.

The elements themselves included a breakthrough. This is the first time observers had solid evidence of titanium oxide in the atmosphere of a gas giant like this. It also has familiar jovian world chemicals like iron, chromium and magnesium.

You won't be visiting WASP-189b any time soon. Its daytime temperature climbs to nearly 5,800F, and its 2.7-day orbit won't help matters. However, the spectrograph techniques involved here could translate to other exoplanet atmosphere studies. Researchers could compare atmospheres and better determine whether or not a planet can support life. That, in turn, could help focus studies on the most promising planets.

New US stock exchange will use the blockchain to track trading activity

Posted: 29 Jan 2022 12:15 PM PST

This week, America's first blockchain-based stock exchange obtained regulatory approval from the Securities and Exchange. In a filing the SEC uploaded to its website on late Thursday evening, it said the Boston Security Token Exchange (BSTX) could use the nascent technology to offer faster trade settlements. Compared to a traditional exchange where it typically takes two days to settle a trade, BSTX will offer same-day and next-day settlements. It will also use a private blockchain to offer a market feed that will allow members to see their own trades, as well as that of others, on an anonymous basis.

What it won't offer members is the option to trade digital tokens, meaning it's not a new venue for buying and selling cryptocurrencies and other virtual assets. Jay Fraser, a director with BSTX, told Reuters the exchange plans to potentially allow trading of stock tokens at a later date. BSTX had planned to exclusively focus on tokenized securities, but the SEC rejected those plans in a prior filing. Still, Fraser said the goal is to create an exchange that eventually looks more like Coinbase than something like the NASDAQ or NYSE. Until then, BSTX will operate more like a traditional exchange when it opens before the second half of the year.

Spotify reportedly has a very limited set of COVID content guidelines

Posted: 29 Jan 2022 11:45 AM PST

When Spotify started removing Neil Young's playlist from its service, it defended its practices against misinformation and said that it had already pulled over 20,000 COVID-related podcast episodes. Young threatened to remove his catalog from the service over allegations that Joe Rogan is spreading COVID-19 vaccine misinformation through his podcast. Despite what Spotify said, The Joe Rogan Experience is still available on the platform, and Spotify's COVID content policy (as seen by The Verge) might be able to explain why that's the case. 

Apparently, even Spotify's employees are upset with the company's partnership with Rogan due to his views on COVID-19. Company head of global communications Dustee Jenkins reportedly addressed those concerns on Spotify's Slack and told employees that a team had already reviewed multiple controversial Joe Rogan Experience episodes and found that they "didn't meet the threshold for removal." She called members of the team who did the internal review "some of the best experts in the space" and also said that Spotify is working with third parties to help it evolve its policies. "What Spotify hasn't done is move fast enough to share these policies externally, and are working to address that as soon as possible," she added. 

While Spotify has yet to share those policies, The Verge posted a copy of the healthcare guidelines section, which prohibits:

"Content that promotes dangerous false or deceptive content about healthcare that may cause offline harm and/or pose a direct threat to public health such as:

Denying the existence of AIDS or COVID-19

Encouraging the deliberate contracting of a serious or life threatening disease or illness

Suggesting that consuming bleach can cure various illnesses and diseases

Suggesting that wearing a mask will cause the wearer imminent, life-threatening physical harm

Promoting or suggesting that the vaccines are designed to cause death"

There's a lot podcasters can get away with with such a narrow and limited set of rules. In comparison, YouTube makes it clear that any content with claims that contradict local health authorities or WHO is prohibited on its website. It's not just suggestions that wearing a mask will cause harm that's prohibited on the Google-owned service, but also claims that masking does not help prevent the contraction or transmission of COVID-19. A podcast host on Spotify can say the latter without repercussions. Spotify also doesn't have a rule prohibiting claims that ivermectin is a safe and effective treatment for the virus. 

Back in December, a group of scientists and doctors sent an open letter to Spotify, asking it to implement a misinformation policy after Rogan guested Dr. Robert Malone on his show. In the controversial episode, Malone claimed people only believe that COVID-19 vaccines are effective due to "mass formation psychosis." The group also listed several "misleading and false claims" Rogan made on his podcast throughout the pandemic, including the time he said mRNA vaccines are "gene therapy" and another when he promoted the use of ivermectin to treat COVID-19.

Peloton reportedly owes some of its workers money for unpaid labor

Posted: 29 Jan 2022 10:50 AM PST

Peloton owes at least five of its workers money for unpaid labor, according to a BuzzFeed News report. The publication says that in recent months, a Minnesota delivery worker and a Los Angeles salesperson for the company filed lawsuits seeking class action status against it over unpaid overtime. Aside from unpaid labor, the LA salesperson, which worked at Peloton for over five years, also said he wasn't reimbursed for work expenses and wasn't paid the full wages required upon termination of employment. 

BuzzFeed also talked to three more workers who raised various kinds of pay issues. They complained about having to go back to work after clocking out and not being paid for it, having to work through breaks and not getting expense reimbursements. One worker said there were multiple instances wherein he showed up to work, and there was nothing to do. While Peloton told BuzzFeed that it pays workers for "a minimum of four hours" of work, the person the publication interviewed said he was sent home without pay. 

Peloton exploded in popularity at the beginning of the pandemic when gyms were closed and people wanted an exercise machine in their homes. As BuzzFeed News notes, employees at its New York City HQ thought it was the best place to work, but it was the company's sales/video production staff, assembly workers and delivery drivers that raised concerns about missing pay. 

A Peloton spokesperson, however, told BuzzFeed that it provides paid break time, as per labor laws. The spokesperson also said: "We are committed to creating an inclusive, kind, and productive culture where all team members are treated respectfully and have the tools to succeed. Peloton employees are fairly paid, and we are committed to adhering to all legal requirements in every state in which we operate."

According to a CNBC report earlier this month, Peloton is experiencing a significant drop in demand due to several factors, such as increased competition from rivals. The report claimed that the company is pausing Bike and Tread production as a result, but Peloton CEO John Foley denied that in a letter to employees. He said that rumors the company is halting the production of its exercise machines are false, but he did say that Peloton is "resetting [its] production levels for sustainable growth." He also said that while layoffs are the last resort as a solution to its its problems, Peloton now needs to "evaluate [its] organization structure and size of [its] team."

NASA's JPL appoints its first female director

Posted: 29 Jan 2022 10:06 AM PST

NASA isn't just interested in putting more women in space. The agency's Jet Propulsion Laboratory has appointed Worcester Polytechnic Institute's Dr. Laurie Leshin as its first female director. She'll assume the role on May 16th, replacing former director Michael Watkins (who retired in August 2021) and interim director Lt. Gen Larry James. She'll also serve as vice president of Caltech, which manages the JPL.

Leshin has extensive experience, both in science and in breaking new ground. She has held senior positions in NASA, including a key director role at the Goddard Space Flight Center. As deputy associate administrator for NASA's Exploration Systems Mission Directorate, she laid some of the groundwork for both commercial spaceflight and Artemis. She was Rensselaer Polytechnic Institute's science dean, and has served as WPI's first female president since 2014.

The incoming JPL director has also pursued science of her own. She has been a proponent of and contributor to Mars sample return missions, and helped study data from the Curiosity rover. The appointment is also a return of sorts of Leshin, as she earned her graduate degrees at Caltech.

Caltech said Leshin was a prime candidate to lead the JPL thanks to her "strategic approach" to science and technology, recognition of NASA's leading role in science, navigation of complex institutions and ability to "inspire the next generation" of scientists and engineers. In other words, she could be a good fit for an organization where long-term planning is absolutely necessary.

Apple’s App Store now permits unlisted apps

Posted: 29 Jan 2022 09:43 AM PST

Apple has introduced a new feature that could help declutter the App Store somewhat. Per support documentation spotted by MacRumors, the marketplace now supports unlisted apps that users can only access through a direct link. Should a developer feel their software isn't suited for public use, they can make a request through Apple's website to distribute it as an unlisted app.

If the company grants the request, the app won't appear "in any App Store categories, recommendations, charts, search results or other listings," according to Apple. Outside of a direct link, it's possible to access unlisted apps through Apple's Business and School Manager platforms.

The company suggests that the new distribution method is ideal for apps that were designed for specific organizations, special events, research studies and other similar use cases. It notes, however, that unlisted apps aren't a replacement for its TestFlight process since it will decline software that's in a pre-release or beta state.

Otherwise, Apple notes it will consider both new and existing apps. Once an app is approved, its status as an unlisted app will apply to any future versions of the software a developer may release. In the case of any existing apps, their App Store link will remain the same.

ICYMI: NVIDIA’s RTX 3050 is a great budget GPU

Posted: 29 Jan 2022 09:00 AM PST

The new year is well underway, and we've already started testing out a wide variety of gadgets, devices and components. This week, Devindra Hardawar played with NVIDIA's RTX 3050 and deemed it a great deal — if it stays at its original price. Steve Dent shot with the Sony's new A7 IV camera to test out its autofocus, video and image quality improvements, while Billy Steele spent time with both the Jabra Elite 4 Active earbuds and the Shure Aonic 40 over-ear headphones.

The RTX 3050 is the cheapest ray tracing GPU from NVIDIA

NVIDIA RTX 3050
Devindra Hardawar/Engadget

Though the RTX 3050 is supposed to be an affordable way to hit 1080p/60fps while gaming, the $250 GPU may wind up costing considerably more due to demand and chip shortages. Devindra Hardawar says the graphics card, which is the lowest priced NVIDIA GPU to also feature ray tracing, is a fantastic component with 2,560 CUDA cores, 8GB of GDDR6 RAM and a boost speed of 1,777 MHz.

Devindra says the RTX 3050 tackled everything he threw at it during testing, averaging 140fps in Hitman 3's Dubai benchmark. He was impressed at how well the card handled demanding games like Control, where it reached 65fps on average in 1080p (without ray tracing). It also stayed surprisingly quiet and cool at 60 degrees Celsius. While Devindra says it's best suited to 1080p gaming, he also says it's an absolute steal – if the price stays low.

Sony greatly improved the autofocus on the A7 IV mirrorless camera

Sony A7 IV
Steve Dent/Engadget

With a higher resolution 33-megapixel sensor, improved video capabilities, and an updated autofocus, Steve Dent found a lot to like about the Sony A7 IV mirrorless camera. He even called the hybrid shooter a near-perfect package, and he particularly liked its sturdy grip, precise buttons and dials and the fully articulated rear touch display. Sony's well-organized menu system also made it easy for him to navigate through the controls.

The main drawback on this camera is a rolling shutter issue: Steve says while shooting silently in electronic mode, the camera needs to be steady and the subject should be smooth, or artifacts like slanted lines will appear in the shots. However, he was quite impressed with the AI autofocus features, which made the A7 IV easy to use and the most reliable camera he's tested. At $2,500 the A7 IV is more expensive at launch than previous models, but Steve says the improvements in image quality, video and color science make the A7 IV another winner in Sony's camera lineup.

Jabra's Elite 4 Active earbuds combine compelling features and an affordable price

Jabra Elite 4
Billy Steele/Engadget

Jabra's Elite 4 Active true wireless earbuds continue the company's trend towards offering small earbuds with a wide array of hands-free features. With a IP57 water resistance, they're also more useful during workouts, and Billy Steele says their small size makes them more comfortable to wear as well. The new model includes features often seen in pricer models like HearThrough, SideTone and Find My, most of which are adjustable in the companion mobile app.

Billy found the Elite 4 Active delivered good but not great sound quality – while they provided decent clarity and nice detail overall, they lacked a wider soundstage and depth. However, he said the call quality was slightly better than most earbuds thanks to the reduced background noise. Battery tests showed that the Elite 4 Active buds lasted a little over seven hours — enough to get through most of a work day — and the $120 price is competitive.

Shure's Aonic 40 headphones have an impressive battery life

Shure Aonic 40
Billy Steele/Engadget

Billy Steele was pleased to see that Shure didn't make too many compromises when it came to the Aonic 40 over-ear headphones. Made from aluminum alloy and glass-filled nylon, the cans are easy to fold flat for traveling and have physical buttons for on-board controls, but Billy says he found them a bit uncomfortable to wear for long periods of time. He was more impressed by the Shure app, which provides a robust equalizer, plenty of adjustable settings and the ability to make your own presets.

Billy says while the Aonic 40 offers a punchy bass and clarity across volume levels, the soundstage isn't wide open and songs lack immersive depth often heard with other headphones. The noise cancellation and ambient sound modes were only decent, but the call quality was above average. The $249 headphones particularly excelled during battery testing where they lasted over 30 hours. Overall, Billy says the Aonic 40's are a relatively affordable option, but lack polish on the finer details.

Netflix and Mattel are making a live-action 'Masters of the universe' movie

Posted: 29 Jan 2022 08:33 AM PST

Netflix's love affair with Masters of the Universe isn't about to cool down any time soon. The streaming service is partnering with Mattel to develop a live-action Masters of the Universe movie — no, they weren't put off by the 1987 flop. Production is expected to start this summer, with the Nee Brothers (who created the upcoming The Lost City) co-directing the title and writing it alongside Shang-Chi's David Callaham.

The companies haven't divulged much about the plot, but they've already chosen Kyle Allen (Balkan in West Side Story) as Prince Adam/He-Man. Not surprisingly, there are hints Adam will discover his power as He-Man and fight Skeletor to protect Eternia.

This isn't a surprising move when MOTU has been lucrative for Netflix. Its She-Ra reboot had five seasons, and Kevin Smith's Masters of the Universe: Revelation is starting its second season in March. There's also a child-oriented CG animated series, He-Man and the Masters of the Universe. Between this and other '80s flashbacks, Netflix appears to know what nostalgia makes its audience tick.

Hitting the Books: The decades-long fight to bring live television to deaf audiences

Posted: 29 Jan 2022 08:30 AM PST

The Silent Era of cinema was perhaps its most equitable with both hearing and hearing-impaired viewers able to enjoy productions alongside one another, but with the advent of "talkies," deaf and hard-of-hearing American's found themselves largely excluded from this new dominant entertainment medium. It wouldn't be until the second half of the 20th century that advances in technology enabled captioned content to be broadcast directly into homes around the country. In his latest book, Turn on the Words! Deaf Audiences, Captions, and the Long Struggle for Access, Professor Emeritus, National Technical Institute for the Deaf at Rochester Institute of Technology, Harry G. Lang, documents the efforts of accessibility pioneers over the course of more than a century to bring closed captioning to the American people.

Turn on the Words cover
Gallaudet University Press

From Turn on the Words! Deaf Audiences, Captions, and the Long Struggle for Access by Harry G. Lang. Copyright © 2021 by Gallaudet University. Excerpted by permission.


The Battle for Captioned Television

To the millions of deaf and hard of hearing people in the United States, television before captioning had been "nothing more than a series of meaningless pictures." In 1979, Tom Harrington, a twenty-eight-year old hard of hearing audiovisual librarian from Hyattsville, Maryland, explained that deaf and hard of hearing people "would like to watch the same stuff as everyone is watching, no matter how good or how lousy. In other words, to be treated like everyone else."

On March 16, 1980, closed captioning officially began on ABC, NBC, and PBS. The first closed captioned television series included The ABC Sunday Night Movie, The Wonderful World of Disney, and Masterpiece Theater. In addition, more than three decades after the movement to make movies accessible to deaf people began, ABC officially opened a new era by airing its first closed captioned TV movie, Force 10 from Navarone.

By the end of March 1980, sixteen captioned hours of programming were going out over the airwaves each week, and by the end of May, Sears had sold 18,000 of the decoding units within four months of offering them for sale. Sears gave NCI an $8 royalty for each decoding device sold. The funds were used to defray the costs of captioning. In addition to building up a supply of captioned TV programs during its first year of operation, so that a sufficient volume would be available for broadcast, NCI concentrated on training caption editors. A second production center was established in Los Angeles and a third in New York City.

John Koskinen, chairman of NCI's board, reflected on the challenges the organization faced at this time. A much smaller market for the decoders was evident than that estimated through early surveys. As with the telephone modem that was simultaneously developing, the captioning decoders cost a significant sum for most deaf consumers in those days, and the expense of a decoder did not buy a lot because not all the captioned hours being broadcast were of interest to many people. Although the goal was to sell 100,000 decoders per year, NCI struggled to sell 10,000, and this presented a financial burden.

To help pay for the captioning costs, NCI also set up a "Caption Club" to raise money from organizations serving deaf people and from other private sources. By December 1983, $15,000 was taken in and used to pay for subtitles on programs that otherwise would not be captioned. By 1985, there were 3,500 members promoting the sales.

Interestingly, when sales suddenly went up one year, NCI investigated and found that the Korean owner of an electronics store in Los Angeles was selling decoders as a way to enhance English learning.

The next big breakthrough was the move toward the use of digital devices recently adopted by court recorders that, for NCI, allowed the captioning of live television. Having the ability to watch the evening news and sporting events with captions made the purchase of a decoder more attractive, as did the decline in its price over time.

When the American television network NBC showed the twelve hour series Shogun in 1980, thousands of deaf people were able to enjoy it. The $20 million series was closed captioned and 30,000 owners of the special decoder sets received the dialogue.

Jeffrey Krauss of the FCC admitted that deaf people had not had full access to television from the very beginning: "But by early 1980 it should be possible for the deaf and [hard of hearing] to enjoy many of the same programs we do via a new system called 'closed captioning.'" Sigmond Epstein, a deaf printer from Annandale, Virginia, felt that "there is more than a 100 percent increase in understanding." And Lynn Ballard, a twenty-five-year-old deaf student from Chatham, New Jersey, believed that closed captioning would "improve the English language skills and increase the vocabulary of deaf children." Newspaper reports proliferated, describing the newfound joy among deaf people in gaining access to the common television. Educators recognized the technological advance as a huge leap forward. "I consider closed captioning the single most important breakthrough to give the deaf access to this vital medium," said Edward C. Merrill Jr., president of Gallaudet College, adding presciently, "Its usage will expand beyond the hearing-impaired." And an ex-cop cried when his deaf wife wept for joy at understanding Barney Miller. He wrote a letter to the TV networks, cosigned by their six small children, to tell of the new world of entertainment and learning now open to his wife.

3-2-1 Contact was among the first group of television programs, and the first children's program, to be captioned in March 1980. This science education show produced by Children's Television Workshop aired on PBS member stations for eight years. Later that same year, Sesame Street became the second children's program to be captioned and became the longest running captioned children's program. — "NCI Recap'd," National Captioning Institute

The enthusiasm continued to spread swiftly among deaf people. Alan Hurwitz, then associate dean for Educational Support Services at NTID, and his family were all excited about the captioning of primetime television programs. Hurwitz, who would eventually be president of Gallaudet University, was, like everyone else at this time, hooked on the new closed captioning technology. One of his favorite programs in 1981 was Dynasty, which was shown weekly on Wednesday night at 9 p.m. He flew to Washington, DC, early one Wednesday morning to meet with congressional staff members in different offices all day long. Not having a videotape recorder, he made sure he had scheduled a flight back home in time to watch Dynasty. After the meetings he arrived at the airport on time only to find out that the plane was overbooked and he was bumped off and scheduled for a flight the next morning. He panicked and argued with the airline clerk that he had to be home that night, and stressed that he couldn't miss the flight. He was put on a waiting list and there were several folks ahead of him. Then, when he learned that he would definitely miss the flight, he went back to the clerk and insisted that he get on the plane. He explained that he had no way to contact his wife and was concerned about his family. Finally, the clerk went inside the plane and asked if anyone would like to get off and get a reward for an additional flight at no cost. One passenger volunteered to get off and Hurwitz was allowed to take his seat. The plane left a bit late and arrived in Rochester barely in time for him to run to his car in the parking lot and drive home to watch Dynasty!

And even with the positive response from many consumers, it was reported in 1981 that the Sears TeleCaption decoders were not selling well. It was a catch-22 situation. "People hesitate to buy because more programs aren't captioned; more programs aren't captioned because not that large an audience has adapters." Increasing one would clearly increase the other. The question was whether to wait for "the other" to happen. To do so would most likely endanger a considerable federal investment as well as the continued existence of the system. Some theorized that the major factors for the poor sale of decoders were the depressed state of the economy, the lack of a captioned prime-time national news program (which deaf and hard of hearing people cited as a top priority), insufficient numbers of closed captioned programs, and an unrealistic expectation by some purchasers that decoder prices would decrease in spite of the fact that the retailer markup was slightly above the actual production cost.

Captioning a TV Program: A Continuing Challenge

On average, it took twenty-five to forty hours to caption a one-hour program. First, the script was typed verbatim, including every utterance such as "uh," stuttering, and so forth. Asterisks were inserted to indicated changes in speakers. Next, the time and place of the wording was checked in the program. The transcript was examined for accuracy, noting when the audio starts and stops, and then it was necessary to decide whether the captions should be placed on the left, right, or center of the screen. In 1981, NCI's goal was to provide no more than 120 to 140 reading words per minute for adult programs and sixty to ninety for children's programs.

"We have to give time for looking at the picture," Linda Carson, manager of standards and training at NCI, explained. "A lot of TV audio goes up to 250 or 300 words per minute. That's tough for caption writers. If the time lapse for a 15-word sentence is 4 ½ seconds, then the captioner checks the rate computation chart and finds out she's got to do it in nine words."

Carl Jensema, NCI's director of research, who lost his hearing at the age of nine, explained that at the start of kindergarten, hearing children have about 5,000 words in their speaking vocabulary, whereas many deaf children are lucky to have fifty. Consequently, deaf children had very little vocabulary for the school to build on. Jensema believed that closed captioning might be the biggest breakthrough for deaf people since the hearing aid. He was certain that a high degree of exposure to spoken language through captioned television was the key to enhanced language skills in deaf people.

CBS Resists

Although ABC, PBS, and NBC were involved in collaborating with NCI to bring captions to deaf audiences, the system CBS supported, teletext, was developed in the United Kingdom and was at least three years away from implementation. "It seems to me that CBS, by not going along with the other networks, might be working in derogation of helping the deaf or the hearing-impaired to get this service at an earlier date—and I don't like it." FCC commissioner Joseph Fogarty told Gene Mater, assistant to the president of the CBS Broadcast Group. Despite the success of line 21 captioning, CBS's Mater believed the teletext system was "so much better" and the existing system was "antiquated." "I think what's unfortunate is that the leadership of the hearing-impaired community has not seen fit to support teletext. Those people who have seen teletext recognize it as a communications revolution for the deaf." In contrast, NCI's Jeff Hutchins summarized that the World System Teletext presented various disadvantages. It could not provide real-time captioning, "at least not in the way we have seen it . . ." Also, it could not work with home videotape. He believed that even if World System Teletext were adopted by the networks and other program suppliers, the technology would not be an answer for the needs of the American Deaf community. He also explained that "too many services now enjoyed by decoder owners would be lost."

CBS even petitioned the FCC in July 1980 for a national teletext broadcasting standard. Following this, the Los Angeles CBS affiliate announced plans to test teletext in April 1981. "CBS was so opposed to line 21 that even when advertisers captioned their commercials at no charge to CBS," Karen Peltz Strauss wrote, "the network allegedly promised to strip the captions off before airing the ads."

CBS continued its refusal to join the closed captioning program, largely because of its own research into the teletext system and because the comparatively low number of adapters purchased. The NAD accused CBS of failing to cooperate with deaf television viewers by refusing to caption its TV programs.

The NAD planned nationwide protests shortly after this. Hundreds of captioning activists gathered at studios around the country. In Cedar Rapids, one young child carried a sign that read, "Please caption for my Mom and Dad." Gertie Galloway was one of the disappointed deaf consumers. "CBS has not cooperated with the deaf community," she stated. "We feel we have a right to access to TV programs." She was one of an estimated 300 to 400 people carrying signs, who marched in front of the CBS studio in Washington and who were asking supporters to refuse to watch CBS for the day. Similar demonstrations were held in New York, where there were 500 people picketing, and the association said that protests had been scheduled in the more than 200 communities where CBS had affiliates.

Harold Kinkade, the Iowa Association of the Deaf vice president, said, "I don't think deaf people are going to give up on this one. We always fight for our rights to be equal with the people with hearing."

The drama increased in August 1982 when it was announced that NBC was dropping captions due to decreased demand. It was two years after NBC had become a charter subscriber. John Ball, president of NCI, said, "There is no question that this hurts. This was a major revenue source for NCI. I think the next six months or so are going to be crucial for us."

Captioning advocates included representatives from NTID, the National Fraternal Society of the Deaf, Gallaudet, and NAD. Karen Peltz Strauss tells the story of Phil Bravin, chair of a newly established NAD TV Access Committee, who represented the Deaf community in a meeting with NBC executives. Although the NBC meeting was successful, CBS was still resisting and Bravin persisted. As Strauss summarized, "After one particularly frustrating three-hour meeting with the CBS President of Affiliate Relations Tony Malara, Bravin left, promising to 'see you on the streets of America.'"

In 1984, CBS finally gave in, and the network dual encoded its television programs with both teletext and line 21 captions. The issue with NBC also resolved, and by 1987 the network was paying a third of the cost of the prime-time closed captioning. The rest was covered by such sources as independent producers and NCI, with funds from the US Department of Education used for captioning on CBS and ABC as well. 

In his book Closed Captioning: Subtitling, Stenography, and the Digital Convergence of Text with Television, Gregory J. Downey summarized that because the film industry was unwilling to perform same-language subtitling for its domestic audience, the focus of deaf and hard of hearing persons' "educational and activist efforts toward media justice through subtitling in the 1970s and 1980s had decisively moved away from the high culture of film and instead toward the mass market of television."

Meanwhile, teachers and media specialists in schools for deaf children across the United States were reporting that their students voluntarily watched captioned TV shows recorded on videocassettes over and over again. These youngsters were engaged in reading, with its many dimensions and functions. In the opinion of some educators, television was indeed helping children learn to read.

People at NCI looked forward to spin-offs from their efforts. They liked to point out that experiments on behalf of deaf people produced the telephone and that the search for a military code to be read in the dark led to braille. Closed captioning should be no different in that regard. The technology also showed promise for instructing hearing children in language skills. Fairfax County public schools in Virginia, authorized a pilot project to study the effectiveness of captioned television as a source of reading material. The study explored the use of closed captioned television in elementary classrooms, evaluated teacher and student acceptance of captioning as an aid to teaching reading, and served as a guide to possible future expansion of activities in this area. Instead of considering television as part of the problem in children's declining reading and comprehension skills, Fairfax County wanted to make it part of the solution. Promising results were found in this study as well as in other NCI-funded studies with hearing children, and when NCI's John Ball submitted his budget request to Congress for fiscal year 1987 he was citing "at least 1,500,000 learning disabled children" as a potential audience for captioning and the market for decoder purchases.

In a personal tribute to Carl Jensema, Jeff Hutchins wrote that the only aspect of NCI that really made it an "institute" was the work Carl did to research many different aspects of captioning, including its readability and efficacy among consumers. His work led to a revision of techniques, which made captioning more effective. Once Carl left NCI and the research department was shut down, NCI was not really an "institute" any longer. John Ball also believed in the importance of Jensema's research at NCI. His studies clearly demonstrated the impact of captioning on NCI's important audience.

Real-Time Captioning

As early as 1978, the captioning program began to fund developmental work in real-time captioning with the objective of making it possible to caption live programs, such as news, sports, the Academy Awards, and space shuttle launches. This developmental work, however, did not result in the system finally being used. The Central Intelligence Agency (CIA) was exploring a system that would allow the spoken word to appear in printed text. As it turned out, a private concern resulted from the CIA project, Stenocomp, which marketed computer translations to court reporters. The Stenocomp system relied on a mainframe computer and was thus too cumbersome. However, when Stenocomp went out of business, a new firm developed—Translation Systems, Inc. (TSI) in Rockville, Maryland. Advances in computer technology made it possible to install the Stenocomp software into a minicomputer. This made it possible for the NCI to begin real-time captioning using a modified stenotype machine linked to a computer via a cable.

On December 20, 1982, the Ninety-Seventh Congress passed a joint resolution authorizing President Ronald Reagan to proclaim December as "National Close-Captioned Television Month." The proclamation was in recognition of the NCI service that made television programs meaningful and understandable for deaf and hard of hearing people in the United States.

By 1982, NCI was applying real-time captioning to a variety of televised events, including newscasts, sports events, and other live broadcasts, bringing deaf households into national conversations. The information, with correct punctuation, was brought to viewers through the work of stenographers trained as captioners typing at speeds of up to 250 words per minute. Real-time captioning was used in the Supreme Court to allow a deaf attorney, Michael Chatoff, to understand the justices and other attorneys.

However, fidelity was not the case for many years on television, and problems existed with real-time captioning. In real-time captioning, an individual typed the message into an electric stenotype machine, similar to those used in courtrooms, and the message included some shorthand. A computer translated the words into captions, which were then projected on the screen. Because "this captioning occurred 'live' and relies on a vocabulary stored in the software of the computer, misspellings and errors* could and did occur during transcriptions."

Over the years, many have worked toward error reduction in realtime captioning. As the Hearing Loss Association of America has summarized, "Although real-time captioning strives to reach 98 percent accuracy, the audience will see errors. The caption writer may mishear a word, hear an unfamiliar word, or have an error in the software dictionary. In addition, transmission problems can create technical errors that are not under the control of the caption writer."

At times, captioners work in teams, similar to some sign language interpreters, and provide quick corrections. This was the approach the pioneer Martin Block used during the Academy Awards in April 1982. Block typed the captions while a team of assistants provided him with correct spellings of the award nominees.

There has also been a growing body of educational research supporting the benefits of captions. As one example, E. Ross Stuckless referred to the concept of real-time caption technology in the early 1980s as the "computerized near-instant conversion of spoken English into readable print." He also described the possibility of using real-time captioning in the classroom. Michael S. Stinson, another former colleague of mine and also a deaf research faculty member at NTID at RIT, was involved with Stuckless in the first implementation and evaluation of real-time captioning as an access service in the classroom. Stinson subsequently obtained numerous grants to develop C-Print access through real-time captioning at NTID, where hundreds of deaf and hard of hearing students have benefited in this postsecondary program. C-Print also was found successful in K–12 programs.

Communication Access Real-Time Translation (CART) is another service provided in a variety of educational environments, including small groups, conventions, and remote transmissions to thousands of participants viewing through streaming text. Displays include computers, projection screens, monitors, or mobile devices, or the text may be included on the same screen as a PowerPoint presentation.

Special approaches have been used in educational environments. For example, at NTID, where C-Print was developed by Stinson, the scripts of the classroom presentations and communication between professors and students are printed out, and errors are corrected and given to the students to study.

In October 1984, ABC's World News This Morning became the first daytime television program to be broadcast to viewers with decoders through real-time captioning technology. Within a few weeks, the ABC's Good Morning America was broadcast with captions as well. "This is a major milestone in the evolution of the closed-captioned television service," John E. D. Ball declared, describing it as a "valued medium" to deaf and hard of hearing viewers. Don Thieme, a spokesman for NCI, explained that the Department of Education had provided The Caption Center with a $5.3 million contract. These two programs joined ABC's evening news program World News Tonight and the magazine show 20/20 as the only regularly scheduled news and public affairs available for deaf viewers. The captioned news programs would be phased in gradually during the summer and early fall. Real-time captioning was also provided for the presidential political debates around this time. More than sixty-five home video movies had also been captioned for deaf people. This was an important step toward providing more access to entertainment movies for deaf consumers.

The first time the Super Bowl was aired with closed captions was on January 20, 1985. In September 1985, ABC's Monday Night Football became the first sports series to include real-time captioning of commentary. ABC, its affiliates, the US Department of Education, advertisers, corporations, program producers, and NCI's Caption Club helped to fund this program. Using stenotype machines, speed typists in Falls Church, Virginia, listened to the telecast and produced the captions at about 250 words per minute and they appeared on the screen in about four seconds. Each word was not typed separately. Instead, the captioner stroked the words out phonetically in a type of shorthand. Then a computer translated the strokes back into the printed word. These words were sent through phone lines to the ABC control room in New York City, where they were added to the network signal and transmitted across the country. Darlene Leasure, who was responsible for football, described one of the challenges she encountered: "When I was programming my computer at the beginning of the season, I found thirteen Darrels with seven different spellings in the NFL. It's tough keeping all those Darrels straight."

As TV shows with closed captions grew in popularity, deaf people were attracted away from the captioned film showings at social clubs or other such gatherings. The groups continued to hold their meetings, but for most gatherings the showing of captioned films gradually stopped. At the same time, telecommunications advances had brought telephone access to deaf people and there was less need for face-to-face "live" communication. Together, the visual telecommunications and captioned television technologies profoundly impacted the way deaf people interacted.

Federal appeals court upholds California net neutrality law

Posted: 29 Jan 2022 08:19 AM PST

A federal appeals court voted unanimously on Friday to uphold California's SB-822 net neutrality law, reports The Verge. One year after the Federal Communications Commission repealed net neutrality rules that applied nationwide, the state passed its own set of laws. Those rules barred internet service providers from blocking, as well as throttling select websites and services. However, California could not begin enforcing those laws due to two separate legal challenges.

The first came from the Department of Justice. Under former President Donald Trump, the agency sued the state, arguing its laws were pre-empted by the FCC's repeal of the Obama-era Open Internet Order. In February 2021, the Justice Department dropped its complaint. Later that same month, a federal judge ruled in favor of the state in a separate lawsuit involving multiple telecom trade groups. This week's ruling upholds that decision.

In its ruling, the Ninth Circuit Court of Appeals said the lower court "correctly denied" the preliminary injunction brought against California by the telecom industry. It said the FCC "no longer has the authority" to regulate internet services in the way that it did when it previously classified them as telecommunications services. "The agency, therefore, cannot preempt state action, like SB-822, that protects net neutrality," the court said.

The four trade groups behind the original lawsuit – the American Cable Association, CTIA, the National Cable and Telecommunications Association and USTelecom – said they were "disappointed" by the decision and that they plan to review their options. "Once again, a piecemeal approach to this issue is untenable and Congress should codify national rules for an open Internet once and for all," the groups told CNBC.

After months of stalemate at the FCC, federal action on net neutrality could come soon. Next week, the Senate Commerce Committee will decide whether to advance Gigi Sohn's nomination to a full vote of the Senate. President Biden picked Sohn to fill the final empty commissioner seat on the FCC. Her confirmation would give Democrats a three to two edge on the FCC, allowing it to advance the president's telecom-related policies.

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